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Yeah, its where, off the dribble you can force the defender to lean one way, then immediately take the ball the other direction, generally by switching hands on the dribble. I watched Deron Williams play, I know how it is supposed to be done. Exum will use his speed to force a backpedal, and when the defender stops, he will then dribble around the defender, generally with his dominant hand. It is cool, but there are nba players that won't let you do that.

Then you are blind. Sorry.


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Malik Beasley and Timothe Luwawu have been added to the Green Room invitee list. That makes the number 18, I think, and I don't think Maker is one of them yet.
 
OK I found a decent example at about 2:09 here.

https://www.youtube.com/watch?v=mBmoUMcEL-c

That is a crossover, but it could definitely use some improvement.

At 2:48 is his favored move where he just uses his speed to blow by a defender. He does it after receiving the pass, before using his dribble.
 
OK I found a decent example at about 2:09 here.

https://www.youtube.com/watch?v=mBmoUMcEL-c

That is a crossover, but it could definitely use some improvement.

I showed u where to go to find one hell of a nasty Exum crossover. All u have to do is type in Dante Exum and Matthew Dellavedova in the rising stars challenge in YouTube, and go to th 1:10 minute mark.
 
I think we people think good or great handles, they think of guys like Kyrie and Steph who do all this crazy ****, but there are other types. John Stockton couldnt do all that stuff, but he still had a great handle.
 
Malik Beasley and Timothe Luwawu have been added to the Green Room invitee list. That makes the number 18, I think, and I don't think Maker is one of them yet.

I'm sure he'll be there in the crowds, like how international players usually are. My guess is Boston takes him early at #16 and will cause a 'Whoa' moment from almost everyone. lol
 
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OK found it.

https://www.youtube.com/watch?v=vkU64vCO_1M

at 1:10

That is indeed nasty and that is what he needs to be doing, especially with his speed. Would like to see this in a non-exhibition. . .
 
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