Magic Spray
Well-Known Member
David Locke does not have that soothing voice or awesome rhythm that Hot Rod had.
But Hot Rod was not a great play-by-play man the last 10 years of his career.
First of all, Hot Rod was either drunk or hung over all the time. David Locke seems sober when he calls the games.
Second of all, Hot Rod relied too heavily on his standby phrases (you all know them, Hippity Hop, Leap-n-Leaner, Frozen Rope, on and on) none of them were ever truly descriptive of what was actually happening on the floor. For Hot Rod, any shot taken from 1 foot or closer was a Hammer Dunk and anything outside of 10 feet was a 20-Footer. Bolerjack is already worse than Hot Rod at using the same phrases over and over again that don't actually describe what is happening on the floor (Hangs On a pivot, Spins It In, etc.). David Locke, while sometimes saying stupid things (most notably Ga Ga Ooh La La), is incredibly descriptive of the action as it unfolds, and then explains situations further during breaks in play all while noting larger trends as they are happening in the game.
Lastly, Hot Rod had lost a lot of the fire. I chalk it up to the man called 37,000 games or something like that. David Locke is obviously enjoying his job.
Since I don't have cable/dish service I listened to nearly all the Jazz games on the radio. At first I thought Locke's delivery was shrill and hyper. Then I realized that he was actually calling the game and doing a fine job at it. The production value of the radio broadcast is high as well. They often splice in relevant soundbites from interviews which adds nice insight. Then I watched a game on TV with Homerjack, Booner, and Harpring. It was almost unbearable.
I think that most people, listening objectively will gain the same opinion that I have of the Utah Jazz broadcasting team: That David Locke is the only one worth keeping (this includes the pre- and post-game show with David James, Big T, and Pace.
But Hot Rod was not a great play-by-play man the last 10 years of his career.
First of all, Hot Rod was either drunk or hung over all the time. David Locke seems sober when he calls the games.
Second of all, Hot Rod relied too heavily on his standby phrases (you all know them, Hippity Hop, Leap-n-Leaner, Frozen Rope, on and on) none of them were ever truly descriptive of what was actually happening on the floor. For Hot Rod, any shot taken from 1 foot or closer was a Hammer Dunk and anything outside of 10 feet was a 20-Footer. Bolerjack is already worse than Hot Rod at using the same phrases over and over again that don't actually describe what is happening on the floor (Hangs On a pivot, Spins It In, etc.). David Locke, while sometimes saying stupid things (most notably Ga Ga Ooh La La), is incredibly descriptive of the action as it unfolds, and then explains situations further during breaks in play all while noting larger trends as they are happening in the game.
Lastly, Hot Rod had lost a lot of the fire. I chalk it up to the man called 37,000 games or something like that. David Locke is obviously enjoying his job.
Since I don't have cable/dish service I listened to nearly all the Jazz games on the radio. At first I thought Locke's delivery was shrill and hyper. Then I realized that he was actually calling the game and doing a fine job at it. The production value of the radio broadcast is high as well. They often splice in relevant soundbites from interviews which adds nice insight. Then I watched a game on TV with Homerjack, Booner, and Harpring. It was almost unbearable.
I think that most people, listening objectively will gain the same opinion that I have of the Utah Jazz broadcasting team: That David Locke is the only one worth keeping (this includes the pre- and post-game show with David James, Big T, and Pace.