figured he’d go top five.
Cleveland had the first pick, Minnesota had the second. He flew out to both cities for a workout. But Utah had the third pick, and Enes didn’t want to go there.
It wasn’t anything against the Jazz organization, but rather the logjam of big men it already had in tow. Al Jefferson and Paul Millsap were the established starters. Turkish legend Mehmet Okur was the veteran backup. Derrick Favors, a young talent, had arrived the year before.
“They told me to come to Utah for draft practices. I didn’t go to Utah,” he said. “They came to Chicago. And you know how players meet in hotel rooms team to team. I didn’t meet with Utah.”
Enes was open about his desire to avoid that situation. He hadn’t played competitive basketball in two years. He couldn’t stomach a third straight season of relative inactiveness.
“I was so rusty,” he said. “I needed some minutes.”
Utah took Kanter anyway. The Jazz liked his talent. It made sense. But they had no way of relaying that message. The NBA lockout had hit. “No contact at all with the Jazz,” he said. Enes’ stay in basketball exile would last even longer.
When it finally lifted, Enes got some burn with the Jazz. But not enough for his liking. He averaged 13.2 minutes per game his rookie season and 15.4 his second year.
“I still feel like I wasted my time because I couldn’t play many minutes,” Enes said.
By his third season, Jefferson and Millsap were gone and Enes was getting the court time he coveted. But his relationship with Utah never fully mended. There was a certain distrust of organizations that was hard for him to overcome. He got a ruthless introduction to the business side of sports during his dealings with Fenerbahçe and the NCAA. The Jazz’s decision to draft Enes against his wishes, while understandable, may have made the relationship immediately irreparable.