https://awoiaf.westeros.org/index.php/Sunset_Seawill arya discover america or go to asia?
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https://awoiaf.westeros.org/index.php/Sunset_Seawill arya discover america or go to asia?
Sent from my iPhone using JazzFanz
Once Episode 5 was locked in, this was possibly the best ending we could hope for.
That doesn't make it good.
So there's this post on reddit that deconstructs the Lightbringer myth to make the case that it is Jon. Basically the myth says that AA first tries to temper the sword in water and it breaks (The fight vs White Walkers), then he plunges his sword into a lion's heart and it breaks (Cersei), and finally he stabs the sword into his love Nissa Nissa which works (Jon killing Danny).So Azor Ahai... not a thing.
EDIT: or is Bran Azor Ahai? Doesn't see to make sense, but what does anymore?
So there's this post on reddit that deconstructs the Lightbringer myth to make the case that it is Jon. Basically the myth says that AA first tries to temper the sword in water and it breaks (The fight vs White Walkers), then he plunges his sword into a lion's heart and it breaks (Cersei), and finally he stabs the sword into his love Nissa Nissa which works (Jon killing Danny).
My gripe with this is that Jon didn't really have a lot to do with the first two fights, and the end result was the Jon just ends up exiled north of the wall, so there's no resolution for him really, but it kind of works. The legend is that he's the prince who was promised, not the king, so eh.
Season 7 was an abomination. Season 6 was the best one, IMO.This season may have been a dud but it was a solid 7 seasons of entertainment.
Season two or three are the highlight seasons for me.Season 7 was an abomination. Season 6 was the best one, IMO.
4’s the best for me. So many great moments.
Arya is going to prove the world is round. There's that.
The show did indeed take a turn for the worse, but the reasons for that downturn goes way deeper than the usual suspects that have been identified (new and inferior writers, shortened season, too many plot holes). It’s not that these are incorrect, but they’re just superficial shifts. In fact, the souring of Game of Thrones exposes a fundamental shortcoming of our storytelling culture in general: we don’t really know how to tell sociological stories.